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![]() Currently in post-production, the film is being presented internationally by The Exchange. Pic stars Anna Kendrick (“Pitch Perfect”), alongside Jeremy Jordan (“Joyful Noise,” “Smash”), who was Grammy and Tony nominated for his stage performances. “The Last Five Years,” a musical based on the Off-Broadway hit by Tony Award-winning playwright Jason Robert Brown, is directed by Richard LaGravenese, who scored a U.K. Although he’s hailed as a small-town hero, Dane soon finds himself fearing for his family’s safety when Freddy’s ex-con father, Ben, rolls into town, hell-bent on revenge. While investigating noises in his house one balmy Texas night in 1989, Richard Dane puts a bullet in the brain of low-life burglar Freddy Russell. Hall (“Dexter,” “Kill Your Darlings,” “Six Feet Under”), Sam Shepard (“August: Osage County”) and Don Johnson (“Django Unchained”), was acquired for U.S. Thriller “Cold in July,” described by one critic as a “superior piece of Texas pulp fiction” and based on the cult novel of the same name, is co-written and directed by Jim Mickle, whose previous film, “We Are What We Are,” screened in the Directors’ Fortnight at Cannes. Stevens plays a soldier who returns home to visit a fallen comrade’s family, but the perfect houseguest is not what he seems as a sinister chain of events unfold. The film, which received its world premiere in the Midnight program at this year’s Sundance, also stars Maika Monroe (“The Bling Ring”), Brendan Meyer (TV series “Mr Young”) and Sheila Kelly (“Matchstick Men”). “The Guest” is a genre-bending thriller from director Adam Wingard, writer Simon Barrett and producers Keith Calder and Jessica Wu, the team behind “You’re Next,” “V/H/S” and “V/H/S 2,” and featuring “Downton Abbey” star Dan Stevens (pictured). When her high-school boyfriend proposes unexpectedly, Megan panics and forgoes attending a professional-development retreat to hide, temporarily, at the home of her new 16-year-old friend, Annika, and her attractive, single dad. Knightley stars in her first comedy role alongside Chloe Grace Moretz (“Kick-Ass”), Sam Rockwell (“The Way, Way Back,” “Seven Psychopaths”) and Mark Webber (“Scott Pilgrim vs the World”).Ĭontent to remain in a permanent adolescence, 28-year-old Megan clings to her job as a sign flipper for her father’s accounting company whilst her high-school friends get married and advance their careers. Writer/director Shelton was critically acclaimed for her comedy “Your Sister’s Sister” and Sundance Special Jury Prize winner “Humpday.” ![]() ![]() “Laggies” is a coming-of-age comedy built around three lives unexpected intertwined. The film, which is in pre-production, is being sold by IM Global. ![]() ![]() ![]() But it’s actually very useful when keeping with your Twitter feed. This results in a noticeable delay between actions on your mobile device and the video feed displaying them on. Did you try downloading the latest drivers from the manufacturers website Here are few. Your graphics card is the one that controls the generated FPS. Wireless connections usually have higher latency. What is the make and model of the computer that you use 2. So it probably isn’t a good idea to use it to watch videos on. Does DisplayPort cable affect FPS DisplayPort doesn’t affect the FPS that is generated by your PC. Obviously though there is slight lag and the frame rate is a lot lower than your desktop screens will be. Works flawlessly with iPad (Mini) and the lag isnt too bad if you are not trying to run games or play video. It’s a very painless setup which literally takes a few seconds after you’ve downloaded all the apps.Īs you can see above, I made my iPad my primary display which puts the dock at the bottom too. Just bought it and its perfect for terminal and things like that. All you need to do is buy the app on either (or both) your iPad or Android tablet, then download it on your computer or Mac, make sure you’re on the same WiFi network and you’re away. Ensure that both the mobile device with iDisplay app and the computer with iDisplay Desktop are in one WiFi network. I could have also connected my Nexus 7 to make it a 4 display setup – pretty epic. I already have a 2 monitor setup so including my iPad I had 3 display setup. Example: C: SWSetup Drivers VGAPH Graphics OK. Want to have the flexibility of choosing to use either WiFi or a USB iDisplay allows you to connect your second. Here you have to put the folder on your DRIVER (which is dependent). Duet Display aims to deliver a retina display at 60 frames per second with zero lag, which is pretty impressive. ![]() iDisplay is an application which connects to your iPad or Android tablet via WiFi and then enables you to turn your tablet into secondary monitor. Promising zero lag, Duet Display works on both Macs and PCs and can connect to an Apple or Android tablet. See all the best ways overall to get in contact with iDisplay ASAP. If you’ve ever wanted to turn your iPad or Android tablet into a secondary display, you can do so with this very neat application. Call iDisplay customer service faster, Get Support/Help, Pricing Info and more. ![]() ![]() Rdr pass on en0 inet proto tcp from any to any port 80 -> 127.0.0.1 port 9191 Rdr pass on lo0 inet proto tcp from any to self port 80 -> 127.0.0.1 port 9191 Modify the /etc/pf.anchors/com.papercut file by adding the following lines: Mac OS X 10.10įrom Mac OS X 10.10, you must use the pfctl command to modify the Mac firewall. For Mac OS X 10.10 and later, the support for the IPFW firewall has been removed in favor of PF. The following information works for Mac OS X 10.10. With the release of Mac OS X 10.11 (El Capitan) and the inclusion of System Integrity Protection (SIP) modifications to /System/ are disabled by default and disabling this feature is not recommended. The approach on Mac systems is similar to Linux. (See Stop and start the Application Server). ![]() When you are done, restart the Application Server. (These commands would typically be placed in an rc init script or the iptables startup config script as provided by your distribution.) p tcp -dport 443 -j REDIRECT -to-ports 9192 p tcp -dport 80 -j REDIRECT -to-ports 9191 sbin/iptables -t nat -I PREROUTING -src 0/0 -dst \ Consult your distribution’s documentation to see how to persist the iptables rules between system restarts: The following commands provide an example. To enable port 80 and 443, use iptables (or ipchains on old systems) to port-forward 80 to 9191. In line with security best practice PaperCut runs as a non-privileged user. On Linux systems, only privileged programs that run as root can use ports under 1024. Test and ensure the web interface is working. An alternate option is to use kernel level TCP port redirection (e.g. Some systems prevent non-root users from binding to ports lower than 1024. On Linux/Unix systems, the server runs under the privilege of a non-root account. In this example, the 1st line exhibits a connexion from my Mac towardġ7.172.233.109, which a further: whois 17. the client is installed locally on workstations, then change the config file on each workstation. To see both servers listening, and connections already established in both directions. …without any added filtering, so as to get the correct headers, and Tcp4 0 0 localhost.773 localhost.63173 ESTABLISHED Tcp4 0 0 localhost.63173 localhost.773 ESTABLISHED Tcp4 87 0 my_iMac_at_home.63429 .http ESTABLISHED Tcp4 58 0 my_iMac_at_home.63452 .http ESTABLISHED Tcp4 116 0 my_iMac_at_home.55478 .http ESTABLISHED Tcp4 87 0 my_iMac_at_home.55481 .http ESTABLISHED Proto Recv-Q Send-Q Local Address Foreign Address (state) The simplest method is to use netstat: $ netstat -ap tcpĪctive Internet connections (including servers) pid: 71 name: /Applications/Pritunl.app/Contents/Resources/pritunl-service Proto: tcp4 addr.port: *.58640 pid: 320 name: /usr/libexec/rapportd Proto: tcp6 addr.port: *.58640 pid: 320 name: /usr/libexec/rapportd pid: 67931 name: /Applications/electerm.app/Contents/Frameworks/electerm Helper.app/Contents/MacOS/electerm Helper pid: 70043 name: /Applications/IntelliJ IDEA.app/Contents/jdk/Contents/Home/jre/bin/java Proto: tcp4 addr.port: 127.0.2 pid: 70043 name: /Applications/IntelliJ IDEA.app/Contents/jdk/Contents/Home/jre/bin/java Proto: tcp4 addr.port: 127.0.3 pid: 70043 name: /Applications/IntelliJ IDEA.app/Contents/jdk/Contents/Home/jre/bin/java Proto: tcp4 addr.port: 127.0.9 pid: 70065 name: /Applications/IntelliJ IDEA.app/Contents/jdk/Contents/Home/jre/bin/java ![]() Proto: tcp46 addr.port: *.61992 pid: 70065 name: /Applications/IntelliJ IDEA.app/Contents/jdk/Contents/Home/jre/bin/java Proto: tcp4 addr.port: *.61993 pid: 70043 name: /Applications/IntelliJ IDEA.app/Contents/MacOS/idea Proto: tcp46 addr.port: *.62085 pid: 70078 name: /Library/Java/JavaVirtualMachines/jdk1.8.0_162.jdk/Contents/Home/bin/java Proto: tcp46 addr.port: *.62070 pid: 70078 name: /Library/Java/JavaVirtualMachines/jdk1.8.0_162.jdk/Contents/Home/bin/java Proto: tcp46 addr.port: *.62087 pid: 70078 name: /Library/Java/JavaVirtualMachines/jdk1.8.0_162.jdk/Contents/Home/bin/java ![]() Proto: tcp46 addr.port: *.35729 pid: 70078 name: /Library/Java/JavaVirtualMachines/jdk1.8.0_162.jdk/Contents/Home/bin/java pid: 70078 name: /Library/Java/JavaVirtualMachines/jdk1.8.0_162.jdk/Contents/Home/bin/java It'd be interesting to see other opportunities to make this nicer/slimmer. I have a small collection of these convenience functions in a file that I source from ~/.bash_profile, or ~/.zshrc. So, this is what I quick put together: netstat -Watnlv | grep LISTEN | awk '' | column -t -s "|" I read other questions/answers offering lsof* and netstat* on MacOS, and I still wanted something with more compact output. First, I'm not a BSD expert, but like the OP I wanted the rough equivalent of running the following on a *nix box, or something close: netstat -tulpn ![]() ![]() With what purpose? Well, you browse around, interact with characters, animals, items, collect them, use them, and all of these things together are going to result in you finding the one thing that makes the monkey stop crying, and start smiling and being happy. Monkey 3,265 ratings 8.6 Monkey Go Happy is a multi-level game in which you need to help the sad monkey to solve various puzzles to make it happy again Developer Pencilkids developed Monkey Go Happy. Have you ever wished you had a MONKEY Well theyre hard work you know You have to spend all your time entertaining them doing anything you can. Your goal in this game is to help the monkey turn from sad to happy, something that you do by interacting with the different things around you, clicking on things so that you make actions happen. Monkey GO Happy, a free online Puzzle & Skill game brought to you by Armor Games. Game description: Heres a brand new Monkey Go Happy game The monkey wants to open his safe, but hes forgotten the code. If you're not familiar with these kinds of games, don't worry, since more information you will find out right now and here. NFT game backed by Y8.com Game details Happy New Year is a new installment in the Monkey GO Happy point-and-click adventure series released to celebrate the coming of 2020. Pop Goes the Weasel (Roud 5249) is a traditional English and American song, a country dance, nursery rhyme, and singing game that emerged in the mid-19th. ![]() The number of the stage is 391, which shows that these interactive puzzle games are never boring, and the series remains as popular as ever. It's been a while since we've last added any new Monkey Go Happy Games for you to play here for free, which is why we are excited that right now we had the chance of sharing with everyone here the new and fantastic game called Monkey Go Happy Chinese New Year, which has a theme representing the new year that we have entered in, so, of course, the setting is in China. Please, be patient and wait for game to load, it may take about 10-15 seconds.Game working 100. ![]() ![]() This happens because by default, maven doesn’t bundle the dependency class files along with the application code. It looks like the Java class loader couldn’t find the classes for the Cowsay library, even though we added it as a dependency in the pom.xml file. $ java -jar target/Įxception in thread "main" : com/github/ricksbrown/cowsay/CowsayĬaused by: : .CowsayĪt java.base/.loadClass(BuiltinClassLoader.java:641)Īt java.base/$AppClassLoader.loadClass(ClassLoaders.java:188)Īt java.base/(ClassLoader.java:520) However, there’s a problem - If we recompile our code and try to run the app now, we will get an error: $ mvn clean compile package ![]() Import static import public class AppTest Package com.sohamkamani // the JUnit library is used for testing Maven can also be used to run tests that we’ve defined in our project.īy convention, all tests reside within the src/test directory.įor the purpose of illustration, let’s create a static method to add two numbers in the App class: Which will give us the output: Hello World! Next, we can execute the JAR file by running: java -jar target/ The clean subcommand removes previous artifacts in the target directory, such as the previous stale JAR file We can now rebuild the project by running: mvn clean package We can add the following configuration as a child of the tag: We can make use of the Maven JAR plugin, which gives us additional capabilities to build JAR files. This is because the JAR file doesn’t know the entry point, so it has no idea where the main method is. If we run this now, we will get the following error: no main manifest attribute, in target/ We can use the java command to execute our JAR file: Advertisements java -jar target/ However, we still have to perform some additional steps before we can run our code. The JAR file is the final output that can be executed by the JVM. Some auxillary files are omitted from here for the sake of clarity Running this command will create a bunch of files in a new target directory: mvn-example Since compile and package are part of the same lifecycle, running mvn package will execute all lifecycle steps upto package, which includes the compile step We can combine these two commands by running mvn package. ![]() We can perform compilation and packaging by running the following command: mvn compile ![]() If we have multiple classes and folder (which we most likely will), we have to package the compiled code into a common format (like a. Compiling our JAR File #īefore running a Java application in production, we’ll need to compile the Java code into byte-code that can be run on the JVM. This generates a new project folder with the following structure: mvn-exampleĪpp.java contains simple code that prints Hello World! when run. I’ve used a groupID corresponding to my domain (), you should replace this with your own choice Advertisements Mvn -B archetype:generate -DgroupId =com.sohamkamani -DartifactId =mvn-example -DarchetypeArtifactId =maven-archetype-quickstart -DarchetypeVersion =1.4 ![]() It seems like the only folks who can still produce good monster flicks are the Japanese. Not scary, not entertaining, not even remotely interesting, "Shark Night" was one of the more unhappy times I've had at the movies. It's still murky and nothing jumps out from the screen except for a few pieces from a motorboat and some seaweeds. But half the time, you wouldn't know this were a 3D movie if it weren't for the bulky glasses sitting on your nose. Granted, I am not the biggest fan of 3D I think it's a cheap, unengaging gimmick. In regards to its 3D: it's thoroughly unimpressive. Instead, it fails to recognize what it ought to have been and pretends to be a grade-A exploitation flick, falling flat from the beginning. If the writers had realized that they were making a movie for the big screen and not for television, "Shark Night" might have proved to be a solid, lighthearted matinée. Well, at least there weren't any underwater lesbian scenes this time. The movie's far more interested in ogling at the hindquarters and torsos of partially-naked models-turned-'actors' than it is in developing plausible attack scenarios or engaging the audience in the way only a good B-movie can. In addition, there is the other big problem that I also had with "Piranha": dopey exploitation. The fact that the performances are beneath comment does not help any, since they are on screen far more often than the cartoony, computer-generated sharks who can twist their necks as flexibly as a human arm and snarl like lions. ![]() The whole movie looks and feels very much like it was made directly for a television release, giving it a sort of schizophrenic, out-of-place feeling. After the first attack sequence, which starts with a predictable twist and then becomes a practical shot-for-shot knock-off from the all-more-effective opening scene in "Jaws," the only thing that ran through my mind was wondering how long it would be before Steven Spielberg and Universal decided to pitch out a lawsuit for copyright infringement. But the writing and directing of "Shark Night" (which by the way, mostly takes place under a bright sunny sky) is so bland, so unenthusiastic, so absent-minded that it left me looking at my watch after about twenty minutes. Only when a B-movie becomes so incredibly empty and devoid of joy do I start nitpicking on things I might otherwise overlook until after the credits have rolled. I go there looking for good old-fashioned, escapist fun. Now, I do not go to a monster movie looking for great character study or plot logistics. And remember, I'm an aficionado on the junk monster movies that pop up on the SyFy Channel every weekend. How are all of these oceanic species ending up in a freshwater lake? Well, the movie gives an explanation, but it's one of the most outrageously bad plot twists in recent years. No, there are hammerheads, tiger sharks, bulls, and even cookie-cutters. About thirty minutes in, it's revealed (as if we didn't already know) that the lake has been infested by sharks. Some brainless young adults are frolicking about on a big, freshwater lake when all of a sudden, people are being tossed about and pulled under by unseen attackers. ![]() The only difference is, now the obnoxious, hard-to-endure stick-figure characters are being munched on by big fake CGI sharks instead of big fake CGI piranhas. Now, exactly one year later, my hopes for seeing a good creature-feature on the silver screen have once again been crushed by what was, essentially, the exact same picture I saw last fall. ![]() ![]() That was, of course, the original film, not the remake, which made it onto my list of the worst movies of 2010. About this time last year, I saw a movie called "Piranha." It was a loose remake of a 1978 cult favorite produced by Roger Corman the sort of cheesy B-movie that was so laughably bad that it ascended to being good fun. ![]() ![]() For instance, let's assume that a particular user is part of three user groups and there is group level restrictions for one of the groups - the members of the group are not allowed to export passwords in plain text. ![]() Least privilege model for security reasonsįor security reasons, Password Manager Pro adopts "Least privilege" model for users. To restrict certain users from having one or all the password export options to allow only specific users to have this permission, user-specific settings can be changed by navigating to Users tab, selecting the desired users for whom settings should be changed, and clicking on More Actions > Change Offline Access Settings. Alternatively, you can also carry out changes for an individual user by clicking on the User Actions icon against that specific user and selecting Export / Offline Access from the dropdown. User-specific Settings for Export / Offline Access The settings will then take effect globally for all users and administrators in Password Manager Pro. Once you have enabled/disabled various export options based on your organization's requirements, click "Save".You can specify the timeout period against the text field "Allowed Inactivity Period". 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This will be a step harder than simply using the scale, but will give a sense of harmony to your soloing and allow your solo to outline the chord changes. ![]() ![]() The other scale notes can then be used more to say move between these chordal notes in runs. For example these notes may have a longer duration or be placed on a stronger beat of the bar. As the chords in the progressions are largely formed from the major scale, this major scale becomes a natural choice for soloing over the tracks.Īlso, as you become comfortable using the scale over the chord progression, see if you can emphasise in your improvisation the notes of the scale that are part of the chord that is currently playing in the backing track. To do this, I would work through the chords in the transcriptions to see how these chords are formed from the major scale. The tracks are handily arranged by genre, although probably 50 of them are blues-based Explore the rest of the site for additional songs, or you can also subscribe to their YouTube channel. I believe this is the same chord progression used in the famous Pachelbel’s cannon.Īs I discussed in the Aeolean mode backing tracks page, as well as practicing your improvisation over these tracks I would also use them to help your understanding of forming chords from scales. Check out the link below which features 83 songs that you can download completely for free. A bit of a classical influence here from David Wallimann. ![]() |
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